 Poemas em Inglês por Gerard
Galloway
I
A PRE-CAROL
(Christmas, 1962)
Joseph was a handsome man
And all the people loved him,
The scamps and dusty children ran
To watch the curls of wood,
Mothers with their proud pans
Thought very highly of him
And as their spider fingers spun,
The girls cast
love about him.
Mary was a lovely girl
As clear-eyed as the day
So roses grew more fanciful
When she had passed their way
She scrubbed up in the temple hall
And then, as she knelt to pray,
Darkening men saw in her eyes
Their gold ambition grey
Mary and tall Joseph, her friend,
Were folk as fair as God can send
But, while their eyes and voices made
The dint of love where’er they laid,
Like things of beauty put aside
To be more lovely when they died,
They wrapped their loveliness around
For God to find in holy ground.
II
BIRTHDAY GREETING
I wonder
can a birthday rose
Be better
brought in verse or prose,
Or, better
still, in living flower
With all
her perfume’s crushing power?
How real is real
when real dies
And all her
lively moisture dries;
When best
of wishes, splashed upon
The
flower’s heart become as wan
With all
the theft of passing hours
As does the
rose herself,
For memory
fades as fast as flowers.
See then,
I’ve brought you both; the rose
In all her beauty soon to close
And, by her
side, some lines of verse
To carry
her and be her hearse,
To be her
crystal coffin where
All may
stare and see how fair
She was
some little time ago.
I didn’t
forget you but I know
Unless I
use this living power
Of verse, I
can’t prevent
Your memory
closing like a flower.
Rio, 1963.
III
VENI CREATOR SPIRITUS
Spirit of God, Creator Guest,
Our thinking lacks your aid;
Unleash your cooling wings around
These fevered heads you made.
The Paraclete, they said, a bird
To wheel on heaven’s bay;
Firebird, lovebird, a phoenix that
Can never burn away.
Channel our grey, unlucky ore
Through thy transfusing fires;
Pour off
aeonial metal from
The slag of brief desires.
From you, seven gifts, you are
the strong
Finger of God’s right hand;
His promise that the human mind
Shall glitter and expand.
Then fire our hatred with your torch;
Pour love upon our hearts;
Grasp firmly in immortal calm
Our frightened fits and starts.
We curb and kill to keep our culture
Clean of the alien kiss;
Oh let your sweet variety show
The filthiness of this;
That ignorance, hunger and painare where
The real
foe lies hidden –
All things by which Man’s faculty
For loving is forbidden.
Then make us know through knowing you
The Father and the Son,
And teach us how your essence thickens
Three truths into One.
Our shout shall fanfare round
the Father;
He’ll divide our breath
In silver scarves for thee and for
That Boy
who cheered Death.
Rio,1965.
REQUIEM FOR A FAMOUS POETESS
Our requiem, like this lizard,
May glide for a space
Over the regulation crags
In sugared marble,
We the funerary men,
Come to confine these
Shattered white coals
In a hissing frame
Of black basalt.
The soul of this poetess
Can hear just a few
Of the more exalted notes
As now and then
A voice more despairingly
Challenges with unearthly
Aimiability the importen
Wrath of his fellows’
Dies illa, in favilla
Listen – where you fare –
Thrust up a green
Shoor from the unseen
Ear of Death and her
How
Little we know you,
How less we know
Even of each other,
How nothing we know
Of our own selves –
We the makers of this
Memorial kiss –
And some time
after
The priest has chattered
Crumbs of laughter
And soiled his fingertips
Know now at long last,
After the storm of jokes
Is come and passed,
How rarely the wrench
Of a voice’s strap
Can make living
Death
React
Living Death?
Yes, like a lover winning
(But never for keeps)
Between all-sinning
Thighs
Like this sullen bird
Blooming thickly
From the dark curd
Of all my skies
Like the gross weed
With terrible speed
Through rock that’s cracked
By children’s cries
The irrigant chill
From that ancestral
Spout in a garden,
Whirling where later
The turning snails
Seal up their homes
Against Jack Frost
With a fastening plug
Of green and frothy
Mucus – like that
Green stone rolled
To the door of the tomb
And let us now
-
OREMUS
–
Be morbid and disentangle
Greedy pride
From the lost beauty:
How much of her art
Was made from our fear?
The tower of her name
Put up by black men
Naked and nameless
In the Rio sun?
-
OREMUS
–
And let us now
Seal up all things
Which have opened
Heaven-pulling wings,
Seal them up
With nails,
Ornamental-headed
Bolts and screws,
With the tacky brown juice of
Decomposition,
With rime
And with gristle,
Smegma, wax
And dull bandages
Let us disentangle
The actor from his art
There is a daughter to the wedding
Or the poet with her word;
There’s a perfume
to the stink of this
Rude Death that has occurred;
There’s a coarn of a continuance
Like spears on the land;
Tehre are
orders to be given even
Black hearts understand
And she was the right;
Her foot was planted
Straight on the path
Leading to a bold
delight
This poet is
With
Of
And for,
Out of
Through and
In spite of
Death
Near the grave
This lizard cocks
Her glinting brain;
Our prayer –
In Paradisum – breaks
Her careful chain
And off
she plies
Like an intent surmise
Through the acqueous air,
Over the uneven
And terrible terrain
We sang that a trumpet should
scatter
Weird sound through the burial ground;
That Death shall gape in Nature’s face
When surprising last uprising
Reinstates our fallen faith
Hélas! So many French
Figments and fragments
Of involuntary vision
Fall in between
The missing teeth
Of intention and act,
Thank God!
So much irrelevant
Turmoil and pain
Like this Imperial Palm,
Confining her surrender
To the vicious wind
Within a zone
Of multitudinously various
Traffic and mutation
Making my poor head
Eddy with implication
And the way these curtains
Answer their tethering
With all the sick umbrage
Of imprisoned kings
And this is what it is
To be any kind of poet;
To let the chance
of life
Vie with the dance of Death,
To flick the loose mozaic phrase
Into and out of astounding rays
Until the final
craftsman come
To concentrate with freezing gum
This lovely craze
May she rest then, this poet,
In Peace, this dear poet,
In a nest
Rounded from the wisps
Of thoughtless glancing,
Made from the moment when
The constant pandemonium
Of dogs and mosquitoes,
Samba on the mountainside,
The low howl of offices,
Penetrates like a sting.
May she rest in this form
Shaped by the bent wing
Of any other brief brother,
Cupped by his breat,
May her fame feed
On the best of words –
The only need.
(Rio,1964)
IV
A Satyr once in Arcady
Chanced upon a sleeping girl
On whom the warm bloom, down
From a sailing chestnut tree
Fell to amaze the asphodel.
His pranking foot was chilled
With a stab; through fingers reft
Of skill, his silver flute, like
blossom
Cuffed away by the lord wind,
Spilled from the lips it filled.
He stood a little while untouching,
Coursing all her sleeping cry
Through brakes and lakes of breast
And thigh. He wept. How might such
A child be won and kept by the wild?
From off
the turf he pricked his flute
And set
it to his lips, but softly,
And warding all the notes, he blew.
Aloft
Like a nun’s veil, his meek tune
Hung to repair the gaping noon.
The poor satyr couldn’t make up his
mind
Whether he wished the girl to wake
And see him, of fashion in her dream
Some firm boy
with a lilyloin, come
To wring her pollen with his tongue.
And the child, like a slow flower
Marking off
the morning, seemed to smile.
An ache of love rioted, deep down
In the satyr’s tough roots. Wild the
flute
And the slain rocks whirred with
pain.
No heron, kneeling by the hump
Of the near-rolling wave
Prayed ever such a hopeless prayer
And shriller rang the cry until
The pale girl woke with the wailing.
Her eyes blue, saw the satyr
Like a course throune crouching
there
And shrieked. He fled. From that time on
She never found a thing to love
Nor any joy in man or boy.
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